All the world’s a stage,
And all the men and women merely players:
They have their exits and their entrances; ¹
Shakespeare famously said that “all the world’s a stage.” I sat near the front of the theatre today and watched as players made their appearances and spoke their lines. I made a few observations about the actors and the audience.
A high school strings ensemble visited the health care facility in which I regularly volunteer. They came and performed for the patients, most of whom are seriously ill and have limited mobility. Sitting among the wheelchairs, I thought about my experience as a performer as music vibrated countless air molecules around me. Although even my untrained ears could tell that the group had much room to improve, I found their reactions to their own errors quite interesting. Take one instance, for example. The group became less than cohesive towards the end of a piece and finished with an unintended staggered ending. Had they not looked at one another and chuckled self-consciously, most of the audience would have accepted and appreciated the piece’s musical ending.
Sitting beside me was an elderly woman whom I spoke with before the musical performance. Since all residents have severe neurological disease, it is often difficult to verbally communicate with them. Although I had no difficultly understanding what this woman said, I had a difficult time distinguishing the real from the imaginary, separating the factual from the delusional. When she told me about realistic-sounding plans for the future followed by the great tragedy of being the last survivor of the Titanic, only silence and a nod of acknowledgement seemed appropriate.
It’s one thing learning about memory loss from a course, but when a human being repeatedly responds to the same question with “I don’t know” and a blank expression, it somehow feels very different. Or when you picture these people as mothers, fathers, husbands, wives, sons, daughters… they become more than sites of biological pathology. Every time after finishing my shift at this facility, I emerge outside, pause for a second on my very own legs, and feel the cold air rushing through my nostrils, thinking… I’m so fortunate to walk, to breathe on my own, to interact with this world, and to remember, and possibly even share, these stories.
Of late, I’ve had meaningful conversations with friends and strangers, alike, about the meaning of happiness. So far, being happy includes making points of connections with others, treating others with love and as we would like to be treated, seeing the growth of our loved ones, spending time with people who are important to us, and making others happy through helping them for nothing in return.
Earlier tonight, I had the privilege of hearing another person’s perspective on what happiness means to him, a historian-turned-custodian. Happiness to him means being free and having the freedom, the human right, of living without persecution. Being exactly half a century young, he reflects on death as humanity’s great equaliser and the intangible aspects of himself which he can keep forever. I asked him what his advice would be for young persons who face life ahead of them in a sometimes uncertain world. His answer: recognising that we are all one; finding the middle ground; being well-read on all perspectives; and using knowledge for good. He also told me this:
Don’t ever stop running. Always keep going. Then, you might become knowledgeable of something.
Ultimately, life is a theatrical negotiation. Perhaps it is through finding the middle ground that we arrive at an agreeable destination. And the audience and actors are not always dichotomies. Maybe they are one.